论文代写：
渴望与失望的辩证法分析
本文“欲望的辩证法和失望”简要地讨论了两种极端观点之间的关系和推理,罗宾·博伊德的身体表达的渴望和失望写在澳大利亚的体系结构,揭示了重新定位在他的批评。
博伊德提出他的观点通过“维多利亚时代的现代”的主要建筑作品越来越受到国际建筑期刊比当地的条件。他总是将伟大的维多利亚时代的建筑识别和代表澳大利亚文化在国际平台。但后来他失望,悲伤和漂移的乐观情绪是显而易见的从1972年的“大澳大利亚的梦想”,他提到关于澳大利亚的文化身份的转变依赖国家的十九世纪二十世纪国际的殖民地和澳大利亚民族文化越来越被忽视的一个过程。
博伊德强调这样一个事实:澳大利亚的地区参考和当地的图像可以发挥至关重要的作用,向全世界展现澳大利亚文化。博伊德维护架构的发展模式在半岛描绘线条,水泥块,木制的帖子,没有特定的装饰和许多特征指示功能主义的使用。通过他的文章“新国际”,博伊德批评主要当地建筑师倾向于赞美那些完全缺乏建筑的建筑区域的值和原来的国际风格死亡,更少的创新。他支持“悬挂”设计在建筑声称它的各种功能的方法,联系当地“菲利普港成语”。
An Analysis on The Dialectic of Desire and Disappointment
The article ‘The Dialectic of Desire and Disappointment’ briefly discusses the relationship and the reasoning between two extreme opinions, desire and disappointment expressed by Robin Boyd’s body of writing on the Australian Architecture that reveals the reposition in his criticism.
Boyd puts forward his argument through ‘Victorian Modern’ about the major architectural works getting inspired by international architectural periodicals of those times than by the local conditions. He always expected the great Victorian architecture to identify and represent Australian culture on an international platform. But later his disappointment, sorrow and the drift from optimism is evident from ‘The Great Australian Dream’ in 1972 where he mentions about the transition of Australian cultural identity from a dependent country of nineteen’s century to an international colony of twentieth century and Australia’s national culture getting overlooked in a process.
Boyd stresses on the fact that the regional reference and the local image of Australia can play a vital role in manifesting Australian culture to the whole world. Boyd upholds the developing pattern of architecture on peninsula portrayed by clean lines, cement blocks, wooden posts, no specific decoration and many characteristics indicating the use of functionalism. Through his article ‘The New International’, Boyd criticizes the leading local architects who tend to praise the architecture of those buildings which completely lack the ‘regional’ value and rues on the international style being dead and less innovative. He supports the ‘suspension’ design in architecture claiming it to be the variety in functional approach that links to the local ‘Port Philip Idiom’.
