兰格在她的作品中有存档的贫困以及试图收益率园艺发展的框架。兰格利用沟槽槽和边的节奏和植物的线条增加表面上在她的照片字段的程度。任何人类附近的圣枪充分描述冷漠的事业,劳动者从未见过他们的经理甚至不知道很大一部分他们的合作者(Shindo 25日- 27日)。
表达式的多萝西娅兰格”,甚至有可能在这一领域的照片可以让我们知道我们是通过肉眼可见的,有一个替代,它展示了我们多少的眼睛给我们观察的能力。”(Shindo 25日- 27日)在拖拉机之前,个人用来做框架的马。这意味着他们可以工作到马累了。反正拖拉机的协助下一个男人做尽可能多的功能需求。
Dorothea Lange was a significant photojournalist from USA. He is among the important artists of depression era. As she opines, “A camera is a tool for learning how to see without a camera.” By her photography she bring into light many undercurrents of the social aspects. Her pictures themselves portray the story that she wanted to say through the images shot by her. Among her important works few are – Migrant Mother (1936), White Angel Breadline (1933), Mississipi Delta Girl (1936), Tractored Out, etc.,. “Dorothea Lange’s work “Tractored Out, Childress Country, Texas” argues how modernisation of agriculture and power farming displaces tenants because of the problems created by AAA during economic Depression.”
Lange in her work had archived destitution as well as attempted to yield horticultural framework from which it developed. Lange utilized the rhythm of the furrowed grooves and edges and the lines of plants to increment outwardly the extent of the fields in her shots. San of any human vicinity in the shot adequately depict indifference of those undertakings where labourers never met their manager and even don’t know a large portion of their collaborators (Shindo 25-27).
In the expressions of Dorothea Lange, ” Even as there may be an area in which the photo can let us know just what we is visible through the naked eyes, there is an alternate in which it demonstrates to us how little our eyes grant us the power to observe.” (Shindo 25-27) Before Tractor, individuals used to do framing by horses. That is means they could work until the horse got tired. Anyway with the assistance of tractor a man do as much function as he needs.