新西兰论文代写:海顿作品的创新性

新西兰论文代写:海顿作品的创新性

海顿的作品具有创新性。他的作品总结了他在古典音乐史上的作用。他也被认为是交响乐之父。他在钢琴风格上运用的生产力、质量和创新是任何人都无法比拟的。他的一项创新是从非常短和简单的音乐主题发展大型结构,这是标准的伴唱人物。他的另一个创新方法是奏鸣曲形式。他练习的钢琴和音乐类型不同于莫扎特和贝多芬(施罗德,1990)。除此之外,他还重新安排了主题的顺序,以创造一个广泛而伟大的发展主题。由于他的创新思想,他也把赋格融入到古典音乐形式中,并帮助丰富了隆多形式与更有凝聚力的逻辑为大部头。除此之外,海顿是双变奏形式的创造者,这种变奏形式基于两个不同的主题,即主调和副调。在音乐中运用幽默是海顿的另一个创新理念。他还创造了各种各样的数字笑话,比如错误的结尾。在17世纪60年代末和70年代,海顿也创造了各种各样的新风格。他的钢琴风格如此著名,以至于开创了音乐的新纪元。

海顿的作品已被列入安东尼·范·霍博肯编制的最全面的目录之一。这是一份目录,提供了海顿每一项工作的完整细节,包括被称为霍博肯数字的数字。除此之外,基于字符串的四重奏也由霍博肯数字组成,通常被标识为opus数字。


新西兰论文代写 :海顿作品的创新性

The works of Haydn were innovative. His works have summarized his role in the history of classical music. He is also regarded as the father of the symphony. The kind of productivity, quality and innovation he used in Piano styles can’t be matched by any person. One of his innovations was the development of the large structures from the very short and simple musical motifs which were the standard accompanying figures. Another innovative approach by him was the Sonata form. He practiced the kind of Piano and music which was different from that of Mozart and Beethoven (Schroeder, 1990). In addition to this, he also rearranged the order of themes in order to create an extensive and a great development of themes. Because of his innovative ideas, he also integrated the fugue into the classical form of music and also helped in the enrichment of the rondo form with more cohesive logic for the tome. In addition to this, Haydn was the creator of the double variation form which was the variation based on two different themes ideally known as major and minor modes. The use of humor in the music was another innovative idea which was implemented by Haydn. He also created various numerical jokes such as the false endings. In late 1760’s and 1770’s, Haydn also created various new styles. His Piano style was so famous that it led to the creation of a new era in music.
The works by Haydn have been enlisted in one of the most comprehensive catalogue which has been prepared by Anthony Van Hoboken. This is a catalogue which provides the complete detail of each and every work done by Haydn, including the number which was called as the Hoboken number. In addition to this, the string based quartets also consist of the Hoboken numbers and are generally identified as the opus numbers.

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