英国论文代写价格：爵士乐和古典音乐的演奏技术分析
由于范围的限制，这里的每一个技术难点都不会详细说明。然而，这些困难从何而来?“在学习爵士乐和古典音乐的风格时，清晰的图像、听觉和产生声音的感觉是很重要的。”正如前面提到的，音色和相关的技术是某种方式来显示他们的钱包(无论是统一还是个性)。因此，我们如何用古典技术演奏爵士乐萨克斯管，而大多数两种风格的技术是相互冲突的?这就意味着，对于古典乐手来说应该是好的技巧，但对于爵士乐手来说却变成了坏的技巧，反之亦然。例如，为了在不同的音域中创造不同的音色，爵士乐的口型是可调的。下颌动作也广泛应用于演奏弦乐和爵士乐。这是古典乐手面临的两个挑战，因为他们被教导并习惯于在所有的注册中保持一个稳定的口型。每种风格的技巧不能混淆，否则会对音质造成不良影响。
英国论文代写价格：爵士乐和古典音乐的演奏技术分析
根据不同学者的观点，技巧和发音实际上是音乐的一部分。如果没有适当的爵士乐技巧和发音，我们怎么能把表演称为“爵士音乐”呢?如果是的话，那只是一些“音符”，而不是“音乐”。
英国论文代写价格：爵士乐和古典音乐的演奏技术分析
Due to the restriction of scope, it is not going to be elaborated by each of the technical difficulties here. However, where do these difficulties come from? “In learning both jazz and classical styles, it is important to develop clear image, aural perception and sensation of producing the sound”. As mentioned before, the timbre and the relevant techniques are kind of some ways of showing what they purse (either uniformity or individuality). Thus, how do we play jazz saxophone with classical techniques while most of the techniques of two styles are conflicting? That means, what is supposed to be a good technique for classical players, it became a bad technique for jazz players and vice versa. For instance, the jazz embouchure is adjustable in order to create different timbre in different registers. Jaw movements are also widely used in playing subtone and produce jazz accents . These are two of the challenges for classical players since they are taught and used to keep a stable embouchure in all registers. The techniques of each style could not be mixed up otherwise it would make a bad effect on the quality of sound.
英国论文代写价格：爵士乐和古典音乐的演奏技术分析
According to the opinion of different scholars, techniques and articulations are actually part of the music. How can we call a performance as “jazz music” without appropriate jazz techniques and articulations? If so, that will be just some “notes”, but not “music”.